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Cantus’ “One Giant Leap” Lands in Brainerd January 17

Web posted December 24, 2019
Acclaimed as “the premier men’s vocal ensemble in the United States” (Fanfare), Cantus will perform “One Giant Leap” in the Chalberg Theatre on January 17. As part of the Central Lakes Community Performing Arts Center’s Cultural Arts Series, the 7:30 concert features a group the New Yorker called ‘engaging,’ and the Philadelphia Inquirer dubbed ‘nothing short of exquisite.’

Cantus is widely known for its trademark warmth and blend, innovative programming and riveting performances of music ranging from the Renaissance to the 21st century. The Washington Post has hailed the Cantus sound as having both “exalting finesse” and “expressive power” and refers to the “spontaneous grace” of its music making.

As one of the nation’s few fulltime vocal ensembles, Cantus has grown in prominence with its distinctive approach to creating music. Working without a conductor, the members of Cantus rehearse and perform as chamber musicians, each contributing to the entirety of the artistic process.

Cantus performs more than 60 concerts each year both in national and international touring, and in its home of Minneapolis-St. Paul, Minnesota. Cantus has performed at Lincoln Center, Kennedy Center, UCLA, San Francisco Performances, Atlanta’s Spivey Hall and Bravo! Vail Valley Music Festival.

In the 2019-20 season, Cantus celebrates the allure of upward exploration, the triumph of the human spirit, and striving for excellence through innovation and technology on their touring program One Giant Leap. The poetic arc of the program is structured around the moon landing and the groundwork that was laid to make this historic achievement possible, and includes works by Mohammed Fairouz, Franz Schubert, Kenneth Jennings, Byron Adams, David Bowie, Camille Saint-Saëns, Eriks Esenvalds, Z. Randall Stroope, and a piece originally commissioned for Cantus by Sarah Kirkland Snider. Besides Brainerd, Cantus will perform One Giant Leap across the US, with stops in including Michigan, Massachusetts, New Hampshire, Washington, D.C., Iowa, Indiana, Ohio, Oregon, Pennsylvania, and California..

Cantus actively commissions new music and seeks to unearth rarely performed repertoire for men’s voices, having received commissioning grants from New Music USA, the National Endowment for the Arts, Chorus America, American Composers Forum and Chamber Music America. The ensemble also hosts a Young and Emerging Composers’ Competition this season, with winners receiving a cash prize, a performance and recording of their composition by Cantus, and consideration for publication in the Cantus choral series.

Cantus has a rich history of collaborations with other performing arts organizations, including the
Minnesota Orchestra, Saint Paul Chamber Orchestra, the Boston Pops, Chanticleer, Sweet Honey in the Rock, Lorelei Ensemble, Theater Latté Da and the James Sewell Ballet. The ensemble is heard frequently on both classical public radio nationwide and on SiriusXM Satellite Radio. Cantus was also Artist in Residence on Minnesota Public Radio and on American Public Media’s Performance Today. Cantus has released 18 recordings on the group’s self-titled label.

Integral to the Cantus mission is its commitment to preserve and deepen music education in the schools. Cantus works with more than 5,000 students each year in masterclass and workshop settings across the country. To celebrate its anniversary year, Cantus will revisit the 31 Minnesota high schools that it has worked with over 11-year history of its award-winning High School Residency program.

Cantus is the recipient of three Chorus America awards, including the 2016 Dale Warland Singers Commission Award (presented in partnership with the American Composers Forum), the Margaret Hillis Award for Choral Excellence and the Education Outreach Award.

Cantus is an artist-led ensemble, so the process that is used for preparing and rehearsing music is a unique one. A complete democracy in the rehearsal room would be an inefficient use of time, so each piece performed is assigned to one of the singers to produce. This producer is responsible for initial  interpretation, leading the allotted rehearsal time, and quality control on the fundamentals (notes, rhythms, tuning, vowel choice, etc.). Once these basics are established, the producer also facilitates discussion of interpretation and execution from the entire group. By the time a piece is on stage, each singer has had his chance to help build the performance. This collaborative work style allows Cantus to be more flexible, adaptive and ready to embrace new ideas. The performance that you enjoy—whether in a recording or in a live concert—is one that would be entirely impossible without the artistic involvement of the entire ensemble.

Cantus performs an average of 75 concerts in the United States (including Greater Minnesota) and around the world each year, plus leading numerous educational workshops and master classes.

Tickets for Cantus’ One Giant Leap are available from the CLC Theatre Box Office at (218) 855-8199 or online at www.clcperformingarts.com

This event is sponsored by Mel and Sonja Nefstead, and Minnesota Public Radio, whose members receive a discount on tickets. The Cantus Tour is made possible by an Arts Touring Grant from the Minnesota State Arts Board. The entire CLCPAC season is made possible by an MSAB Operating Support Grant. These grants are made possible by the voters of Minnesota, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund.

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